Fujifilm has been teasing us with its long-anticipated GFX Eterna cinema digicam for months – however ultimately, the wait is over.
The GFX Eterna is a big step for Fujifilm into the world of filmmaking, and the Eterna has shortly constructed anticipation due to its unprecedented sensor measurement, huge lens compatibility, and integration with Fujifilm’s signature Movie Simulations – and everybody has been chomping on the bit to search out out the ultimate specs, worth and after they may really have the ability to get theor palms on the digicam.
At present, Fujifilm confirmed that the GFX Eterna 55 will start transport in October 2025 with a price ticket of $16,499.95 (worldwide pricing to be confirmed). Pre-orders open on September 15 at choose retailers.
Alongside it, the corporate is releasing the Fujinon GF 32-90mm T3.5 PZ OIS WR Lens, priced at $5,999.95, and designed particularly to enrich the Eterna’s large medium format sensor.
Fujifilm GFX Eterna 55
On the coronary heart of the Eterna 55 is a 102MP GFX CMOS II HS Bayer sensor (43.8 x 33.9mm) – which is the tallest digital filmmaking sensor but obtainable commercially. This sensor is paired with Fujifilm’s X-Processor 5, used throughout its APS-C and GFX vary, delivering dual-base ISO (800 and 3200), 14+ stops of dynamic vary, an inner ND filter (ND0.6 – ND2.1) and inner recording as much as 8K DCI.
The digicam helps an enormous vary of sensor codecs, from 4:3 open gate to Tremendous 35 and anamorphic choices, making it one of the vital versatile large-format cinema techniques in the marketplace. Filmmakers additionally get inner Apple ProRes recording, help for Adobe Body.io Digital camera to Cloud, and as much as 16 customized 3D LUTs alongside 20 of Fujifilm’s acclaimed Movie Simulations – together with Eterna/Cinema and Traditional Chrome.
John Blackwood, Director of Product Advertising and marketing at Fujifilm North America, emphasised the importance of the sensor: “GFX Eterna 55 introduces the filmmaking neighborhood to the tallest digital filmmaking sensor ever obtainable for buy. The native 4:3 open gate format echoes again to the legacy of Tremendous 35mm, however at a scale almost 1.7x bigger.”
You possibly can see the in depth breakdown of resolutions, ratios, and body charges within the desk under:
|
Format |
Mode |
Output measurement |
Facet |
Fps max |
Picture Circle (W x H) |
|---|---|---|---|---|---|
|
GF |
Open Gate |
3840×2880 |
4:3 |
48fps |
43.63 x 32.71 |
| Row 1 – Cell 0 |
DCI 8K / 8K |
8192×4320 / 7680×4320 |
17:9 / 16:9 |
24 / 30fps |
30.8 / 28.88 x 16.24 |
| Row 2 – Cell 0 |
Cine. 5.8K |
5824×2436 |
2.39:1 |
30fps |
43.8 x 18.32 |
| Row 3 – Cell 0 |
DCI 4K / 4K |
4096×2160 / 3840×2160 |
17:9 / 16:9 |
60fps |
43.63 x 23.01 / 24.55 |
| Row 4 – Cell 0 |
FHD |
2048×1080 / 1920×1080 |
17:9 / 16:9 |
120fps |
43.63 x 23.01 / 24.55 |
|
Premista |
DCI 8K, 8K |
8192×4320 / 7680×4320 |
17:9 / 16:9 |
24 / 30fps |
0.80 / 28.88 x 16.24 |
| Row 6 – Cell 0 |
5.4K |
5440×2868 |
17:9 |
30fps |
40.91 x 21.57 |
| Row 7 – Cell 0 |
DCI 4K / 4K |
4096×2160 / 3840×2160 |
17:9 / 16:9 |
60fps |
40.27 x 21.23 / 22.65 |
| Row 8 – Cell 0 |
FHD |
2048×1080 / 1920×1080 |
17:9 / 16:9 |
120fps |
40.27 x 21.23 / 22.65 |
|
35mm |
DCI 8K / 8K |
8192×4320 / 7680×4320 |
17:9 / 16:9 |
24 / 30fps |
30.8 / 28.88 x 16.24 |
| Row 10 – Cell 0 |
4.8K |
4776×3184 / 4776×2688 |
3:2 / 16:9 |
30fps |
35.92 x 23.94 / 20.21 |
| Row 11 – Cell 0 |
DCI 4K / 4K |
4096×2160 / 3840×2160 |
17:9 / 16:9 |
30fps |
35.92 x 18.95 / 20.21 |
| Row 12 – Cell 0 |
FHD |
2048×1080 / 1920×1080 |
17:9 / 16:9 |
60fps |
35.92 x 18.95 / 20.20 |
|
Anamorphic (35mm) |
Anamorphic 8K 2x |
8192×2968 / 8080×3380 |
2.76:1 / 2.39:1 |
24fps |
35.07 / 30.38 x 25.42 |
| Row 14 – Cell 0 |
Anamorphic 4.6K |
4664×3380 / 4040×3380 |
1.38:1 / 1.20:1 |
24fps |
35.07 / 30.38 x 25.42 |
|
Super35mm |
Super35mm 6.3K |
6382×3590 |
16:9 |
24fps |
24.00 x 13.50 |
| Row 16 – Cell 0 |
DCI 4K / 4K |
4096×2160 / 3840×2160 |
17:9 / 16:9 |
30fps |
24.00 x 12.66 / 13.50 |
| Row 17 – Cell 0 |
FHD |
2048×1080 / 1920×1080 |
17:9 / 16:9 |
60fps |
24.00 x 12.63 / 13.49 |
Fujinon GF 32-90mm T3.5 PZ OIS WR lens
To accompany the brand new physique, Fujifilm has unveiled the Fujinon GF 32-90mm T3.5 PZ OIS WR – a cinema zoom lens purpose-built for the GFX system.
Overlaying a 32-90mm vary (25-71mm full-frame equal) it contains a fixed T3.5 aperture, a 13-blade rounded diaphragm for easy bokeh and a minimal focus distance of 0.8m. Inside are 25 parts in 19 teams, together with 3 aspherical and three ED parts, which ought to guarantee a excessive optical efficiency throughout the zoom vary.
The GF 32-90mm stays manageable for on-set use, although, with a weight of two.15kg / 4.74lbs, but nonetheless features a rugged weather-resistant construct, optical picture stabilization and a entrance diameter of 114mm.
The place to see the Eterna in motion
The GFX Eterna 55 will likely be making appearances at main filmmaking occasions worldwide, beginning with Create With Us on the Walker Artwork Heart in Minneapolis, MN (September 28 2025) adopted by Jackson Wild in Jackson, WY (September 28 – October 02). It’ll then head to CAPER in Buenos Aires (October 07-09) and Semana AMC in Mexico Metropolis (October 18-23).
Later within the month, will probably be showcased at NAB NY in New York (October 22-23), earlier than touring to Ampliar la Mirada in Santiago, Chile (November 4-6) and the ProFusion Expo in Toronto, Canada (November 5-6). The tour concludes with a displaying at Camerimage in Toruń, Poland (November 15-22).
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