After Nikon acquired RED, many individuals speculated a few Nikon cinema digital camera. Properly, they’ve simply delivered with the Nikon ZR. The brand new ZR is a compact, 24MP full-frame digital camera that may report 6K60 and has a brand new RED video codec. Furthermore, it’s being provided on the comparatively inexpensive value of $2,196.95.
What’s New?
Listed below are the essential specs of this new cinema beast:
| Specification | Nikon ZR |
|---|---|
| Sensor Dimension | 23.9×35.9 Full Body |
| Decision | 24.5MP |
| Mount | Nikon Z Mount |
| Shutter | Digital Solely |
| Shutter Speeds | 1/16,000 – 900″ |
| Photograph ISO Vary | 100 – 64000 |
| Video ISO Vary for LOG | 800 – 6400 |
| Video Dynamic Vary | 15+ Stops |
| Card Slots | 2 |
| Card Sorts | CFExpress B, Micro SD |
| Viewfinder | None |
| Monitor | 4″ Vari-Angle |
| Monitor Shade House | DCI-P3 |
| Video Codecs | REDCODE RAW (R3D NE), N-RAW, ProRes Uncooked, ProRes HQ, H.265, H.264 |
| Video Bit Depth | 12 |
| Most Video Decision | 6K |
| Video LOG Profiles | RED Log3G10, N-Log |
| Battery | EN-EL15c |
| Dimensions | 133mm x 80.5mm x 48.7mm (5.2″ x 3.2″ x 1.9″) |
| Weight | 540g (1.19lbs) |
The Nikon ZR has some thrilling video applied sciences not obtainable in any earlier Nikon mirrorless digital camera. Along with the N-RAW format obtainable in cameras such because the Nikon Z8 and Z9, the ZR positive aspects the REDCODE RAW/R3D NE codec. With the Log3G10 Log profile, it permits coloration science matching with different RED cameras.
On RED cameras, it’s additionally doable to alter the compression fee of the REDCODE recordsdata, to present pretty small file sizes similar to Apple ProRes. Hopefully, all kinds of compression ratios may also be obtainable on the ZR, which might make it an awesome various to N-RAW, which has very massive file sizes.
The REDCODE codec on the Nikon ZR is 12-bit, which is somewhat decrease than the 16-bit variations on a few of the way more costly RED cameras such because the KOMODO-X. However 12-bit will definitely be sufficient for novice filmmakers and for output from a secondary digital camera on extra skilled movie units. And, in video, you continue to get about 15 stops of dynamic vary with the ZR.
As you most likely deduced from the photographs of the digital camera physique, the ZR lacks a viewfinder. This is smart as a result of it’s sometimes meant for use in digital camera rigs and on video tripods. Nevertheless it does make up for the shortage of a viewfinder with a 1000-nit, 4″ rear show with 3.07 million dots. (For comparability, the Z8 has a 3.2″ show with 2.1 million dots). Furthermore, the show has a wider, P3 coloration house gamut for extra correct evaluation in digital camera.
The sensor for video has additionally bought twin base ISO, and there’s customized LUT assist so you may load your customized LUT to visualise what the ultimate product will appear like.
And in contrast to another mirrorless digital camera up to now, the Nikon ZR has inside 32-bit float audio, which practically eliminates the probabilities of clipping your audio. Beforehand, to report on this format, it could be essential to get a devoted audio interface.
Weirdly, the ZR’s second card slot is a MicroSD slot. That’s most likely a compromise to maintain the digital camera small, as is the shortage of a fan that would make it more durable to report longer takes.
Conclusion
The Nikon ZR is a reasonably nifty digital camera. It’s positively a video-oriented digital camera, and it appears fairly succesful in that regard. However, it’s additionally principally a stripped down model of the Z6 III that prices $500 lower than the Z6 III. So, it also needs to attraction to Nikon customers who desire a small full-frame digital camera and who’re fascinated by stepping into extra severe video.
When you’re fascinated by shopping for this digital camera, contemplate pre-ordering it with the B&H hyperlink beneath to assist our ad-free web site: