Bear in mind the times once we eagerly awaited every new digital camera technology to see how noisy its excessive ISO images could be? Not so way back, ISO 6400 was absolutely the restrict of actual usability. Something above that was, at finest, appropriate for particular occasions like UFOs, Loch Ness monsters, or alien landings. Not so any extra. Immediately, I’m going to again the Nikon Z9 right into a nook and present you the way effectively it performs at excessive ISOs. How excessive are you able to go?

My Course of
Earlier than you object to the selection of digital camera for this text, it’s best to know that I solely selected the Nikon Z9 as a result of it’s my foremost digital camera. Many cameras of at present’s technology have related excessive ISO efficiency. In truth, they could even carry out higher if they’ve rather less decision. In spite of everything, Nikon’s earlier flagship, the D6, had “solely” 20.8 megapixels however is a low-light hammer. Can a contemporary 45 megapixel digital camera examine?
With the assistance of some illustrative images, I’ll attempt to shed some mild on this query. Cameras have come a good distance within the final 10 years or so. But in addition, post-processing software program has made an enormous leap at excessive ISOs. {Hardware} and software program work hand in hand. Immediately, I’ll present you images that I’ve edited in my typical manner. This provides you with a sensible thought of the outcomes you possibly can count on from the Z9.
To edit my RAW recordsdata, I take advantage of a pair of applications that complement one another properly. First, I run my recordsdata via my favourite de-noise software program, DxO PureRaw. Then, I fine-tune the DNG “intermediate product” in Seize One. I attempt to edit with a slightly mild hand on the sliders in Seize One, particularly at larger ISOs. Principally I simply regulate ranges, saturation, and – the place needed – highlights and shadows. The much less aggressive you might be with sliders, typically the much less noise you’ll reveal.

Instance Images
The primary pair of images reveals a feminine and a male White-booted Racket-tailed Hummingbird. Though it was not precisely darkish within the Ecuadorian cloud forest, it was essential to set the ISO fairly excessive. Hummingbirds are small usually, however this species is likely one of the actually tiny ones. As a rule, the smaller the hummingbird, the sooner it beats its wings. On this species, the frequency may be round 70 beats per second! So, in the event you don’t need to seize a wingless hovering torso, it is advisable set a really fast shutter pace (not less than 1/a thousandth second). Beneath these circumstances, the publicity triangle begins to be cruel. Nonetheless, ISO 5600 and 6400 should not numbers that make your head spin.


In my view, neither sharpness nor shade suffered on this pair of images. There’s a little bit of noise, however cautious noise discount lowers it close to the purpose of irrelevance. When you take a look at the images magnified, they’re fairly clear. I might in all probability consider somebody who advised me that these are taken at ISO 560 and 640, slightly than 5600 and 6400.

Let’s take a look at one other pair of images. It was very early within the morning, simply earlier than dawn, after I photographed this Black-streaked Puffbird on the slopes of the Sumaco volcano in Ecuador. Its Czech title, Lenivka, in addition to its German title, Faulvogel, recommend a lot about its habits. Each names may very well be translated as “Lazy Hen.” Because of the fowl’s stationary nature, and my secure tripod, I may shoot as little as 1/tenth second with out movement blur.
This opened up room for a comparability. I took one photograph at 1/tenth of a second and ISO 800, and one other at 1/sixtieth of a second and ISO 5000. It’s a reasonably vital distinction within the EXIF knowledge. What about in actual life?


To keep away from hiding any variations in post-production, I utilized the identical settings in Seize One to each images. And the end result? I can’t assist however assume that the variations are beneath my eye’s resolving energy. Noise, shade, sharpness, and shadow element all appear just like me. However decide for your self. (And in the event you click on one of many photos, you possibly can swap between them shortly at a excessive decision.)


Fairly a formidable end result for the excessive ISO photograph!
However what’s this? You’re considering that the distinction between ISO 800 and ISO 5000 isn’t drastic sufficient? I’ve to confess, I used to be questioning the identical factor. An early morning photoshoot of kingfishers gave me some nice materials for a extra excessive comparability.
Within the first photograph, a male kingfisher waited patiently with little motion, permitting me to go as little as 1/thirtieth second at ISO 720. After taking that secure shot, I switched to 1/a thousandth second – and the ISO jumped to 16,000 – whereas I waited for the fowl to take off. However with this comparability in thoughts, I made a decision to take a shot earlier than the fowl started to fly. Right here is how these two images examine:


The distinction right here is lastly noticeable within the photograph, even to my eye. Specifically, at 100% magnification, the photograph taken on the decrease ISO has extra particulars within the feathers. You may additionally discover smoother shade transitions outdoors of the depth of discipline. It appears as if the background within the photograph taken at ISO 16000 has extra distinction. This makes the bokeh look extra distracting than within the first photograph. Nonetheless, I discover the end result very usable.


Not a foul end result for the ISO 16,000 photograph! It wasn’t way back that such an ISO would seem like mush…
Lastly, the final two images have one factor in widespread. I took each of them in very dim, low-quality mild. Earlier than, I wouldn’t even take the digital camera out of my backpack, however since I used to be touring with the very best 400mm telephoto lens at the moment out there, my braveness grew.
I photographed this Andean Cock-of-the-Rock with a 1/a hundredth shutter pace, f/4, and ISO 16,000. A usually darkish morning within the tropical mountain forest. However this time of day can also be lively, and it could be a disgrace to not {photograph} a few of it. So, right here is the photograph together with a crop:


Within the darkness of the forest, this photograph pushes the digital camera’s capabilities to the restrict. Not solely the shortage of sunshine is problematic right here, but additionally the brilliant orange-red coloration of the fowl. A more in-depth look reveals that the feathers are shedding their texture and changing into a bit posterized. However by then, I had pushed the Nikon Z9 to the very fringe of its excessive ISO capabilities, and it nonetheless gave me an inexpensive picture.
Conclusion
The mix of a contemporary, full-frame sensor and at present’s highly effective modifying instruments actually brings mild into the darkness. The mindset that ISO 6400 is the restrict is outdated. Immediately, we will seize stunning photos stuffed with particulars, easy transitions, and vibrant colours even in very low mild.
So, what ought to your private “ISO restrict” be? I feel that no two photographers can have the identical reply. However for me, it’s – no matter is required to get the photograph. If meaning pushing my digital camera to the sting of excessive ISO, that’s acceptable to me.
